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#GoldenFrames: Kishore Sahu, the multi-faceted talent of Indian Cinema | Photogallery

#GoldenFrames: Kishore Sahu, the multi-faceted talent of Indian Cinema | Photogallery

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The multi-faceted talent—Kishore Sahu was a writer, director, actor, painter, novelist and film producer. His lean, agile look reflected his intellectual capacity that was powered by knowledge and wisdom. Sahu was always on the lookout for the next heroine for his movie. He launched actresses such as Bina Rai, Asha Mathur, and his daughter Naina Sahu under his production. Sahu appeared in twenty-two movies as an actor and directed twenty movies. His directorial venture, ‘Kuwara Baap’ (1942), was one of the winners of the Bengal Film Journalists’ Association Awards for Best Indian Films Award for best film in 1943. While ‘Mayurpankh’ (1954) entered the 1954 Cannes Film Festival. The movie was nominated for the Grand Prize of the Festival.


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Born on November 22, 1915, in Rajnandgaon, Chhattisgarh, India—Kishore Sahu was the son of the Prime Minister under the Raja of Rajnandgaon.


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Even as a child, Sahu was interested in theatre. By the time he was in college, Sahu had gotten involved in theatre. During his college years, he took part in the freedom struggle.


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After graduating from Morris College at the University of Nagpur in 1937, his love for writing short stories brought him into contact with cinema, where he initially started as an actor.


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With the intention to join theatres full-time, Sahu came to Mumbai. He met actor Ashok Kumar, who recommended him to one of the pioneers of Indian cinema, Himanshu Rai. The owner of Bombay Talkies and husband of Devika Rani gave Sahu the first break in ‘Jeevan Prabhat’ (1937) as a lead actor opposite his wife.


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After the success of his first movie, Sahu returned to Nagpur feeling incomplete, as he wanted to do something more than just act. He established a production company with the help of his friends—India Artists Limited. ‘Bahurani’ (1940) was the first movie Sahu made under his banner. The movie reflected on the caste system and untouchability, which received a great deal of critical acclaim.


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Meanwhile, he also did a movie for Bombay Talkies—’Punar Milan’ (1940), another hit! By now, Sahu had three successful movies under his credit.


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Kishore Sahu then directed and acted in ‘Kunwara Baap’ (1942), which is still remembered for being one of the best comedy movies in Indian cinema. The story goes like this: Sahu asked his friend Amritlal Nagar, a Hindi author, to write the script and play one of the characters in the movie. Sahu was known for his comic timing. However, in his next movie, ‘Raja’ (1943), the actor played the role of an angry young man.


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Sahu continued to write stories, novels, plays and poems. This did not prevent him from making movies. His movies like ‘Veer Kunal’ (1945), ‘Sajan’ (1947), ‘Sindoor’ (1947), ‘Kaali Ghata’ (1951) and ‘Hamlet’ (1954) did well. However, ‘Mayurpankh’ (1954), which was shot in Gevacolour, didn’t do well at the box office. ‘Dil apna Aur Preet Parai’ (1960) was a commercial hit, starring Meena Kumari and Raaj Kumar.


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Sahu was displeased with the rapid invention of technologies to make movies. He made a movie casting his daughter Naina Sahu as a lead actor in ‘Hare Kaanch Ki Chooriyan’ (1967).


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